Music Project – Looking for contributors

I’m always keen to have guest writers on my blogs, Stegzy’s Music Project especially. As many of you might already know, I’m off getting married soon, so I am keen to have someone take care of the postings while I’m away.

If you would like to review any of the albums listed below, please message me (either in comments, email or DM) with the album you’d like to review or comment on and I’ll set you up as a contributor.

I’m happy to make the music available to you too if you haven’t got it already. I find that the project has meant I’m often listening to things I’ve never heard before and it’s fun writing musings about things as you hear them for the first time.

There are a small number of albums that I’d like to do myself (marked with an asterisk) but I’m happy to have guests review them too if they want. As long as you can commit to submit before or on publication date (in brackets) that’s fine. I don’t usually post on weekends but if I get significant interest, then I’ll fudge the dates accordingly.

So, coming up is:

Car Wheels on a gravel road – Lucinda Williams (9/2/15)
Caravanseri – Carlos Santana (10/2/15)
Carnival of Souls – Miranda Sex Garden (11/2/15)
Carry on up the charts – Beautiful South (12/2/15)
Cassette – Fields of the Nephilim* (a compilation given to me years ago) (13/2/15)
Casanova – Divine Comedy (16/2/15)
Casino Classics: The Remix Album – St Etienne (17/2/15)
Castlefest 2011 – Various artists (18/2/15)
The Cataclysm – David Galas* (my favourite album of 2009) 19/2/15)
Cats and Mice – Kirstin Hersh (20/2/15)
Celestine Prophecy – Christoper Franke (23/2/15)
Century Child – Nightwish (24/2/15)
Ceromonies: Ad Mortem – Fields of the nephilim (25/2/15)
Change we must – Jon Anderson (26/2/15)
Changes in Mind – Golden Dawn (27/2/15)
Changesbowie – David Bowie (28/2/15)
Charlie and the chocolate factory – Danny Elfman
Chestnut Mare – Byrds
Chicago Demos – Blood Ruby
Chicken Skin Music – Ry Cooder
Advertisements

Music Project – Shameless plug

Those longer term readers may recall I started a project where I would listen to every album in my MP3 collection and post about it on my various blogs. They might even remember why they then stopped reading the Compostual Existentialist. Or they might have wondered what happened to the music project. Well, it’s moved. And has done since May.

So if you’re missing a daily post about an album in my record collection, then you should nip over to my other site, with some of your friends.

Music Project Round 2

Music Project Round 2

Long term readers will recall that I started a music project where I would review my music collection by album. Well it didn’t last long because I became very busy last year. However I am reviving the project again hosted elsewhere on WordPress.

Over the next few weeks I will be reposting from #25 onwards.

It would be good if you would join me there.

http://stegzysmusicproject.wordpress.com

Music Project – Album #48 –Abraxas –Santana

 

imageAbraxas by Santana

 

Sometimes I wonder if anyone is still actually reading these entries as I persevere to listen to my album collection in alphabetical order. But do you know? Part of me like to think that long forgotten LJ flisters might still be reading or random people might be coming across these posts many years into the future on WordPress. I also like to think that this is kind of a historical record and in a far off distant future scores of academics and philosophers are debating not only what I meant by vampiresses with comedy inflatable breasts but also why did I have such a massive cock collection of music and were people actually interested in this and if so why?

 

Ritual purposes.

Simple.

 

Anyway, as I plunge on through the “A”s missing out only a couple of two track EPs as they don’t really count as full albums (If you’re really interested they are “Abandoner” by some bloke out of Porcupine Tree and “Absence and Plenum” by Lux Interna who none of you will have heard of anyway. I was also wearing my khaki short sleeved shirt and there are 7 cards in the card holder on the mantelpiece) we arrive at an unusual choice.

I’d never heard of Santana until they appeared on a soundtrack for a film I liked. So as I liked one of their tracks I did my usual thing of downloading their entire back catalogue. Yes. It was getting a bit silly doing that. Anyway, Abraxas contains Black Magic Woman and Oye Como Va  which always makes me feel like I should be in some seedy Spanish restaurant in the 1980s. Surrounded by bullet ridden corpses having just survived a Spanish Mafia attack by hiding behind the fake plastic plant in the corner.

I know some of you guys like Santana.

Good for you.

Music Project – Album #47–A’arab Zaraq Lucid Dreaming–Therion

 

imageA’arab Zaraq Lucid Dreaming by Therion

Back in the good old late nineties, Scandinavian metal and rock bands started to experiment with their sound. Whilst the likes of Nightwish and Within Temptation experimented with female operatics, Therion went the whole hog and opted for a full choir.

 

Curiously it works.

A’arab Zaraq Lucid Dreaming is an early release for the band and the style they later became synonymous for is still on the carpenters bench at this stage so to speak.

I first came across Therion on a “goth rock” compilation album which, is as goth as Metallica. But still, the sound they create is unique and unusual, both aspects that float my boat so it comes as no surprise that I downloaded their back catalogue based on the listening of one song.

Sadly my brain is now becoming close to full with music and my consumption of music has changed dramatically so it takes exceptional musicianship to make me listen to the album in its entirety. Unfortunately, this album isn’t too exceptional.

Music Project – Album #46 – A World We Pretend–Twilight Garden

 

imageA World We Pretend by Twilight Garden

Every so often I come across a band in my library and I think “How the hell did I ever get this?”

 

Twilight Garden are one of those bands.

 

 

They are a curious cross of Depeche Mode, the Cure and maybe a tiny bit of Bauhaus. Lots of echoey guitar, forlorn vocals and the kind of production that makes it sound like they’re recording in some disused quarry. In the rain. After a group of smack head punks from the 80’s have been and daubed the walls with political slogans.

 

Perhaps they recorded in the foot tunnel depicted in their album cover?

 

 

Music Project – Album #45 – A Metal Tribute to Abba – Various Artists

 

imageA Metal Tribute to Abba – Various Artists

It’s been a while. Sorry.

Anyway, back to the project, and what a start. Possibly one of the best compilations I have in my library. The Metal Tribue To Abba compilation never fails to raise a smile on faces as a group of (mostly) European metal bands rip into some of Abba’s popular pop songs with the power of a force ten gale. And it works.

 

Starting with Summer Night City performed by choral metal group Therion the listener is carried through Thank you for the Music, Voulez-Vouz and Chiquitita by bands whose names probably won’t be familiar to people inside the UK. Really, this is a treat. I urge anybody with even the slightest penchant for chugga-chugga guitars, thrash drums and chicks in latex with long hair and comedy inflatable breasts to find and listen to this album.

 

In the meantime….here is a Youtube clip

 

Music Project–Album #44–A Thousand Roads–Lisa Gerrard & Jeff Rona

imageA Thousand Roads by Lisa Gerrard & Jeff Rona

A Thousand Roads is a film by Chris Eyre released in 2005. This is the soundtrack for it.

I’m very fond of soundtracks and there are many in my collection. Mostly they are of films that I have seen but this is one of 2 film soundtracks of films I’ve not seen.

I’m also very fond of Lisa Gerrard’s music including Dead Can Dance (but more about them in a later post).

So there’s two things: Lisa Gerrard and Soundtracks. What more could I want? Well there is a third thing. World music. I first got into World Music as a teenager when I was taken on a school trip to see the Gamelan at the Empire Theatre in Liverpool. Initially I was resistant but an hour into the performance I began to recognise repetitions, subtleties and changes in rhythm which none of my classmates seemed to appreciate. On the back of that experience I embraced World Music and, over the years, have collected some interesting music (again, more of that in a later post).

A Thousand Roads is a lovely mix of etherical wailing, tribal chants and haunting synths. A rare treat for travellers and explorers of the musical soundscape.

Music Project–Album #43– A Song for All Seasons–Renaissance

imageA Song for All Seasons–Renaissance

 

I first came across Renaissance in 2002 when I used to subscribe to Last.fm’s radio service.

 

In case you didn’t know, Last.fm supposedly checks what you listen to and then finds artists you might like and plays samples of their music mixed in with yours.

 

The song that kept being played was Northern Lights. It was one of those songs that made me think “Here! I’ve heard this before!”. It was more than probable that I had.

 

Keen to find out more, I spent a week downloading their catalogue and rapidly falling in love with their music. Bewildered by the fact that I hadn’t actually heard of them before that day.

 

They’re a mix of folk and prog. Prog folk? Maybe. Kind of like Fairport Convention meets Yes.

 

No..that’s not it.

 

It’s similar. But not.

 

Anyway, make your own mind up and, as usual, I would be interested to hear what you think about them too.

Music Project–Album #42–A Secret History –The Divine Comedy

imageA Secret History by The Divine Comedy

 

There is a certain sound that conjures up memories of the 1990’s. Granted, I spent most of the 1990s in a haze of solitude and unemployment. Indeed, I did not really venture much further musically than the compilation album Shine 9. Instead I spent most of the 90s listening to Mike Oldfield, Yes, Triumvirat and whatever I happened upon on my cassette tapes. Those were the days. Days of sitting round, doing nothing. Wasting time.

 

I suspect that The Divine Comedy’s greatest hits, this album, appears in my music library due to Gay Jamie who no doubt put it on one of his many MP3 CDs he wrote for me back in the early noughties.

 

The Divine Comedy are that sound. The sound of the nineties. I’d not listened to this album before I began this project and, apart from a couple of tunes I’d heard on the radio or in other compilations, I’m not all that familiar nor enamoured with the band or their work. I was also surprised by the fact that they wrote the theme tune to Father Ted. So that was a surprise when it started playing midway through the listen.

 

Anyway, I think I’ll just keep the tracks I like off this album and bin the rest.